… and I’m not 100% in love with it. Maybe not even 50% in love with it.
I accomplished what I wanted to, in one respect… making a woodcut a BIT more painterly, without those “coloring book” lines around everything. It’s slightly- slightly- looser than I usually work. And I finished a reduction, which I haven’t been able to accomplish in almost a year, LOL.
We had our first critique evening at my Printmaking class, and the only feedback I got was that they liked the interesting shape that Lucy formed (positive vs negative space); that maybe I shouldn’t have done a border to “box” the shape in- a bit distracting-; and the professor thought my chop (signature stamp, in the lower left) was a ball, LOL.
Class has been… interesting. I enjoy the “being around other artists” atmosphere but I find that I really, really hate working away from my home studio. The class studio is AMAZING… I mean, to die for. Like 4 different presses, all the ink you could want. A silkscreen studio, papermaking studio, letterpress studio all adjoining a huge relief studio. Several Sinks, etching and solarplate rooms, a professional electric chisel sharpener the size of my microwave. But my boys aren’t there. I spend class obsessing over them, wondering what they are doing at home, if they are sleeping or crying or if Cliff has fallen and can’t get up. They are used to me going to work every day- that’s routine, and if there’s one thing about Greyhounds, they are creatures of routine. But going out at night once a week, after work, without them?? That’s strange and confusing, and it makes me feel bad when they look at me with their big, brown Bambi eyes as I try to slip out the door. You can’t sneak past them. They know.
And working at class is odd, too. There’s weirdo music playing on the stereo (not the 70′s and 80′s music “old people” like me listen to, ha), PEOPLE walking around, chatting- and I usually sit next to the same 2 gals each class, and they even talk to me while I’m working. People. Talking to me. Boring Ol’ Me. Nice, but so different than home where I ensconce myself in my hermittude, blithely talking to my dogs, myself, the wall, LOL. It’s weird working in an environment where there isn’t any dog hair floating around to get in my ink. Where there isn’t the smell of chickeny greyhound farts permeating the air. Where I can’t sit at my drafting table and listen to the boys pace around, cast crushed looks at me and quietly cryyyy because Oh My God, We Need To Go For a Walk Right, Right, Right Now Or Else The World Will Inevitably Come to An End!!!
Class goes from 6-10pm once a week (Lord have mercy, I’m too old to stay up that late anymore!!) but I usually sneak out by 8:30, so I can rush home, jump in my PJ’s, snuggle in bed with the boys and watch GHOST HUNTERS on the SyFy network. The Prof doesn’t seem to mind- as long as we get our work done, he doesn’t care if it’s during class time or not. Thankfully.
My best work time seems to be 6-8 pm. At home. With my wonderful, amazing and inspiring muses… Cliffie and Jack.
I feel my focus changing a bit. When I started class, I was gung-ho to work on Reduction Woodcuts, maybe even try some White-Line/Provincetown woodcuts. But I feel myself being drawn back in the Monotype direction. We’ll see how it goes. I have so many ideas but the woodcut process takes so long. Monotypes are more spontaneous, fun- different. They might be my golden ticket to creative liberation. They just might be.
Jen
















