I’ve been having a lot of fun delving back into Monotypes lately. Previously, I was experimenting only with subtractive monotypes but after getting 2 great DVDs the past year (SAFER PRINTMAKING WITH AKUA WATER-BASED INKS and PAINTERLY PRINTMAKING WITH MONOTYPES) I decided to try additives. It’s been…messy… but so fun! I find I’m able to be as expressive and energetic in this technique as I’ve wanted to be for years but couldn’t achieve in other mediums (media?).
I decided to take one of my wrinkly Jack & Caterpillar lithographs from a couple weeks ago and use it for my first additive monotype. I taped it under a piece of plexiglass and hinged a piece of paper across the top.
I first decided to paint Jack’s base coat–using the taped lithograph (underneath the plexi plate) as my guide….
That hinged paper across the top? I flipped it over the wet ink and used a marble rolling pin to press the wet ink onto the paper. I do have a couple printing presses here but unfortunately their beds were too small for my plexiglass!!
The marble rolling pin is from a local restaurant supply company and only cost about $12! It’s a wonderful, cheap alternative to a press. A tip I learned from one of the monotype DVDs… use a low table so that you can lean all your weight onto the rolling pin, giving you a better transfer. I used a coffee table that’s been storing my CDs.
Worked great!
Here it is (sorry for the poor color… it gets dark soooo early now! By the time I get home, feed and walk the dogs and get started working… it’s black outside and I have wicked poor lighting in the studio. Must fix.)…
As you can see, there’s still ink left on the plate so I put another piece of paper on the plexiglass and burnish it with the pin again. This gives me one more image, much fainter, that is called a “ghost print.” Here’s the first pull and the ghost pull side by side…
Now I just start adding more colors to the plexi plate. I suppose I could have painted all the colors at once but I felt more “in control” doing a few at a time. First order of business was Jack’s brindling. Eek. Why did I get a brindle dog again, they are so hard to draw and paint LOL!!!!! And sadly, my Akua Ink set didn’t include any browns besides ochre (which I used as Jack’s base color). I’m a HORRIBLE color mixer, so this led to some anxiety. I decided to try mixing Pthalo Green with Crimson Red, in hopes of making a dark brown of some sort to use for Jack’s stripes. It worked… kind of. It was a dark brown with a purple tint, which I guess is not a bad thing. I wasn’t trying to make an uber-detailed piece anyway.
More painting the plate, bits at a time. I use paper towels and Q-tips to add interesting textures into the ink.
Making monotypes is MESSY. Really messy!!!! This is one of the last stages (the grass).
Here’s the final pull… the monotype with the much lighter ghost image…
The final monotype!! It just needs to be signed, and then it’s ready to roll.
The model(s)… and yes, Jack soundly defeated poor Caterpillar!!! With Lela’s assistance, the poor bug is now in tatters across the house. It’s always kind of a bummer to, you know, spend $15 on a stuffed toy that lasts, oh…. 4 days. LOL.

























































